Stow cum Quy |
River Cam towpath |
Now to get on with some gardening. I am trying to maintain my Dad’s standards, but sadly, it’s not possible at the moment.
Bye for now.
Stow cum Quy |
River Cam towpath |
Now to get on with some gardening. I am trying to maintain my Dad’s standards, but sadly, it’s not possible at the moment.
Bye for now.
Tiny hard ground etching 2 |
Tiny hard ground etching 3 |
Hard ground etching |
Solar plate etching of a dragonfly’s wing. |
Two colour solar plate etching |
Musk Beetle |
An assortment of beetle etchings in progress and sketch of Darwin’s Beetle box. |
Hister Beetle – Sugar lift Aquatint, hard ground and burnishing. |
Rhinoceros beetle – Hard ground etching. |
In addition, I have just finished a Nuthatch painting. Now to finish my tax return…. that’s no fun at all!
Nuthatch on a branch – 10 x 10 in Oil/Panel |
Well, the essay is handed in and what a relief that is! It felt quite odd not to be spending all weekend writing. Now I just have to sort my portfolio and hand that in on 20th May and that’s my second year over. What a life changer it has been. The third years are leaving and I am very sad. They are such a great bunch. I shall miss them so much.
Below are some photos of some of the things I have been busy about, besides the hotel painting commissions and essay writing!
On June 6th, I am boarding a plane for New Mexico for a couple of months to get some big paintings done. I am looking forward to that for obvious reasons, but also to warm my bones… spring has barely arrived here and today it’s blowing a cold wind…
Waterways i soft ground etching 7 x 7 cm |
Lake i soft ground etching 5 x 15 cm |
Fen with monoprint on Tosa Washi chine collé 7 x 7 cm |
Field and Stream soft ground etching 5 x 15 cm |
Goodness, how time flies. Barry came and went and I got back into my University work, plus a couple of commissions and now struggling with my final essay. I just couldn’t catch up with my blog until I settled on the subject matter and that kept changing every week! I think I have clinched it now and am writing on the abstraction/semi abstraction of landscape/nature. There! I have said it out loud and now I am committed! It’s a big subject, so I am honing it down to a couple of artists.
Do let me know your thoughts if you have any. I have always been very fascinated by the transition from representation to abtraction and how we change what we see and why. I am enjoying looking into this in more detail.
Here are some two plate sugar lift aquatints that I have been working on. They are tiny, barely 2 x 2″ or 5 x 5 cm. I just love the ‘abtraction’ of these images and played with colour. Plus I was practicing my registration skills. There is something very satisfying about getting two plates to line up perfectly… almost perfectly!
Me and the Mist |
Obviously I have not posted for a while.. I hope you all had a wonderful Christmas and Happy New year to all. The end of last semester came and went so fast, which included my husband, Barry arriving from the US at the end of November. Then we both got sick! I am still dealing with the residue of painful pulled muscles from coughing too much! It was the worst bug I have had in years. I think a lot of people have had it, so sympathies for all those who did!
Glastonbury sunset |
The dates for our workshop are now set. These are 27th May to 31st May. If I can get enough people to sign up and pay a deposit now, I can book Sparkford Hall for a very good price. My daughter has a connection with this beautiful house and because of that I am being given a good deal. Please let me know if you are interested. May is such a glorious time of the year in the UK. Photos to follow. I hope you will join Barry and I for our first major workshop in UK together. You can also stay over the weekend for a little extra. They will also organise meals so that you can concentrate completely on your work.
Since I last wrote I did a three day refresher course with Jason Hicklin, which was great! These workshops are so intense and since the ink, paper etc., is all prepared for you, all one has to do is create! The image below is a combination of soft ground and sugar lift, stopped out by using Litho crayon. Lots of possibilities here and rather excited about using this method when I get back to University at the end of January.
Fenland – 9.50 x 9.50 cm – Etching (soft ground, sugar lift) |
Botanics – this is an etching which has gone through many lives. |
Barry and I visited the Yorkshire Sculpture Park yesterday on our way back down from Scotland. It’s such a beautiful place. A great setting for incredible sculpture.
Oval with Points – Henry Moore |
Me between Three piece reclining figure no. 1 – Henry Moore |
Barry with Reclining Figure, Arch leg – Henry Moore |
Two plate sugarlift etching, testing my skills at registration! |
In my quest to move away from drypoints, as you know I have been experimenting with sugar lift aquatints. Here are a few of the tests and experiments. The bugs got a little more creative inspired by a recent visit to the reserve collection in the Zoology Museum in Cambridge. What a treat that was! We also visited the Tate Print Collection on Wednesday and got to see some beauties close up. I just loved this early Hockney print, which I believe is his first etching… puts me to shame! Below are some photos from last week.
Abstraction from a landscape painting in sugarlift aquatint |
Dragonfly Abstraction – 1.50 x 2 approx. |
Flower Mantis sugarlift – 1.50 x 2 approx. |
David Hockney – Myself and my heroes. Better image to be found with Tate link |
Hello everyone…
Wicken Fen Autumn ii 12 x 12 Oil/Linen |
Barry and I are finally back at my Dad’s in Lincolnshire after a couple of weeks travelling around. I have managed to get back into painting and I have just finished the above oil, which I started earlier this year!
We spent some time in London, visiting friends, going to exhibitions and visiting one of my daughters, then onto Somerset to visit the other one and popping in to see a good friend in Gloucestershire. I thought I would share some photos (difficult to choose, so many good ones) and information from our trip. At Tate Britain I finally got to see a Vija Celmins exhibit, which was worth the wait! I have been studying her for my essay and was desperate to see some of her work in reality. As John Berger wrote in The Shape of the Pocket,
“You have to see them. Words can’t get round them. And reproduction sends them back to where they came from”
How right he is, they are truly exquisite. She also curated a little exhibit of Turner’s watercolours and prints.
We also went to see The Mechanical Hand Exhibit which was fascinating. 25 years of printing at The Paupers Press. Not as much pure etching as I had hoped for, but some really wonderful work, a lot of lithographs, but I think my favourite was Christopher Le Brun’s etchings and Grayson Perry’s Map of Nowhere, which is fantastic and very humourous, if you are fortunate enough to be able to see it close up.
Grayson Perry Map of Nowhere – Heliogravure |
Below are a few images from our travels…
Holly (my eldest) and I walking around the Cadbury Castle iron age hill fort. |
Me painting just down the road from my Father’s house. |
I love buttercups and they are everywhere at the moment! |
On the way up to Cadbury Castle hill |
Our walk with Annie |
On our way home with Annie |