Stow cum Quy |
River Cam towpath |
Now to get on with some gardening. I am trying to maintain my Dad’s standards, but sadly, it’s not possible at the moment.
Bye for now.
Stow cum Quy |
River Cam towpath |
Now to get on with some gardening. I am trying to maintain my Dad’s standards, but sadly, it’s not possible at the moment.
Bye for now.
Eddie |
Norman |
Near Annie’s ii 6 x 6 ” Oil/Panel |
Near Annie’s i 5 x 7″ Oil/Panel |
Well, the essay is handed in and what a relief that is! It felt quite odd not to be spending all weekend writing. Now I just have to sort my portfolio and hand that in on 20th May and that’s my second year over. What a life changer it has been. The third years are leaving and I am very sad. They are such a great bunch. I shall miss them so much.
Below are some photos of some of the things I have been busy about, besides the hotel painting commissions and essay writing!
On June 6th, I am boarding a plane for New Mexico for a couple of months to get some big paintings done. I am looking forward to that for obvious reasons, but also to warm my bones… spring has barely arrived here and today it’s blowing a cold wind…
Waterways i soft ground etching 7 x 7 cm |
Lake i soft ground etching 5 x 15 cm |
Fen with monoprint on Tosa Washi chine collé 7 x 7 cm |
Field and Stream soft ground etching 5 x 15 cm |
Where did last month go? I had a wonderful time in New Mexico, but the five weeks went by far too quickly. The commissions took up most of the time and Barry and I of course enjoyed our time together. I am now back in the UK and focussing on my MA again.
New Mexico Harvest 24 x 36 Oil/Linen |
This week I learned how to do a photoplate lithograph. I was anxious to learn another printing technique as I had spent most of last semester doing drypoints.
I had produced a test sketch on semi transparent drafting film in preparation for trying this new method and on Thursday, John, our very helpful technician guided me through the process.
Not a very good photo of my test sketch! |
The image needs to be opaque and I used an 8B pencil for my drawing, but other intensely opaque paints, or crayons will work. The image is placed on a commercially produced lithographic plate, which comes coated in a light sensitive emulsion. The plate and drawn image are exposed to UV light in a lightbox. (A test strip is advised)
Positioning the drawing onto the plate. |
Adding the positive developer and washing away the exposed area. |
The image is now fixed onto the plate. |
John showing me how it’s done! |
After the plate is exposed to the UV light it must be processed with positive developer and the exposed areas wash away. The plate is rinsed with water and dried with a hair dryer. Gum arabic is then applied to the plate. This desensitises the non image areas. The emulsion which forms the image is grease loving and attracts the ink. The next stage of inking up the plate is going to take a considerable amount of practice because with a roller in one hand and a sponge in the other you must ink the plate before it gets too dry, but if it is too wet, you will also have problems.
You can use any kind of press to transfer the image from the plate onto the paper, but we use an off set litho press, seen below.
John working the press – thanks to John for all the help! |
First ever photoplate lithograph by Lynne Windsor!! |
Well, I know it’s not a startling result, but now I know (almost) what needs to be done and how I can take this process further. I like learning new processes.
This morning I thought I would get on my bike again for the first time in almost two months. It’s not often that you are happily cycling down a country lane and you see a muster of peacocks and peahens! (yes, I just learned the term muster). If it hadn’t been for that experience I would have been more than a little miffed by the fact that I also got a flat tyre.
Here are a couple of photos. I wish I had my better camera here with me, but these aren’t bad. The colours of the peacock are amazing!
I had a lovely experience yesterday. One of the third year MA students gave me and another first year an informal typesetting lesson. I have always wanted to learn how to do this and our University has a whole room full of different types which is a wonderful resource and I would like to make use of it.
Forming the words, in mirror image form on a composing stick. |
Leading that creates the spaces above and below the type. |
A galley on which the type is slid to store or transfer onto the stone. |
I just love all the old labels on this cabinet. |
The letters are now on the stone. |
A chaser (the metal frame) is placed on the stone and the letters are surrounded by ‘furniture’ to block in the letters and then a quoin key is used to lock everything together. |
A gentle tap with a mallet to ensure all letters are level. |
By locking the letters in you can safely transfer it all to the press ready for inking. |
Voila!! |
Going to University this morning, across Jesus Green. |
On the way home from University across Jesus Green. |
Last week we had a Relief Printing demonstration given to us by our teacher/technician, John Williams, who is an accomplished printmaker. It is so exciting to witness all the possibilities. I learn something new each week. Below are a few photos, one of John’s woodcut and some books he had laid out for us to peruse. I have also included some sketches of Wicken Fen.
Barry’s show was on Friday and on Saturday he sold 5 paintings, so that’s a good start!
At last, I have some time to think about my MA. Last week I attended my first Contextual Studies tutorial. I really liked it. Going over my notes, I am amazed at how many new avenues of enquiry this has opened up. I find myself searching for information on W.G. Sebald’s Rings of Saturn, leading me onto Grant Gee’s film, entitled Patience (after Sebald), which I am now trying to source.
William Carlos Williams poem, A Sort of a Song was mentioned, as was Geothe’s Colour Wheel, (did I know that Goethe wrote about this?). Death of the Author by Roland Barthes, which I think may require me to undergo a brain transplant and one of Barry’s favourite books by Joseph Campbell, Hero with a Thousand Faces was also discussed briefly, including reference to a ‘Nekiya’ and how Post Graduates ‘must endure the journey’ which I suppose is all to do with dismantling oneself! I can’t wait! A book I am interested in reading but have never heard of it before is Mr. Weston’s Good Wine by T.F. Powys … and that isn’t all…. but my head is spinning and I must go out, battle the gale force winds and buy a cauliflower.
On a more practical level, the hot plates in the print room are very high and the rollers are heavier than I am used to, so in addition to the fact that I have to walk over a mile to get to University in the morning and back again in the evening, and have been dragged off to circuit training by my friend Jo at the rowing club, I shall also get a little exercise climbing onto the provided step to attend to my plates and hopefully strengthen at least one of my arms in the process! I have prepared two plates.. but for what?
Before I go, since I am now back in Wicken Fen country, below is a new image.. now, for that cauliflower…